(Sunday, May 31st) Had an amazing morning up at the inlet. This has to be one of my all time favorite places to watch the sunrise. It took me a little while to get the camera settings and composition just the way I wanted them, but luckily everything was set just in time for this moment. A fraction of a second later, I was soaked. It was worth it.
Monday, May 25, 2015 (Day 145)
Saturday, May 23, 2015 (Day 143)
Thursday, April 16, 2015 (Day 106)
I was fortunate to witness yet another amazing sunrise this morning. Today I went to our little “beach” and found this twisted log which had washed up on the shore some time ago.
One of the biggest challenges for me has been to find different ways to portray the sunrise each morning. After more than 100 days of photographing the sunrise, it has been becoming more difficult to find scenes that don’t look to similar to what I’ve photographed before. This has helped me to become more observant, more present, and hopefully more creative.
Thursday, February 5, 2015 (Day 36)
I’m starting to develop a new appreciation for cloudy days. The sunrise isn’t much to look at on cloudy days, so I am forced to be more creative with the scene I am photographing. In the absence of a bright palette of colors bursting across the sky, there’s nowhere for me to hide. I can’t just point my camera at nature’s light show and press my shutter button, knowing that the photo will inherently posses a certain level of appeal regardless of how skillfully I construct it. Oh no, not cloudy days. They give you nothing. They don’t forgive. And that’s what I like about them—cloudy days push me harder.
Cloudy days allow me to experiment with shots I might not attempt in the face of a brilliant sunrise. Remember, the colors of a sunrise only last for a few minutes at a time, and they are constantly changing. A beautiful color explosion might last only a minute or two, sometimes even less. A colorful sunrise doesn’t give me much time to think, let alone experiment. But on cloudy days, the scene doesn’t change much from minute to minute, so I can take my time and try a few different things. I am able to see things I might not normally see, and put more thought into what I’m doing.
And perhaps the biggest benefit of my cloudy day experiments is that they give me ideas of what I can do when those mornings come when there is a brilliantly colorful and striking sunrise. Having experimented with certain scenes, and understanding their small nuances, I can confidently recreate them under the pressure of those intense moments when I feel that sense of urgency to capture the sunrise and do it well. When there isn’t much time to think, it’s nice to know I don’t have to.